Cyanotype on white marble
Using a contact print, Mary Gold exposed plants to South Tyrolean marble coated with a light-sensitive solution. Her thus created stones are reminiscent of the encyclopaedic collection of plants as well as botanical drawings, nature prints and early photograms of the 19th century.
This listing approach presents the artist with an access that is emotionally interwoven with the person depicted and with its bearer: she calls the created work Totem. Organic nature combines with the inorganic. In this symbiosis she achieves a resurrection, which creates a connection between the physical natural phenomenon of a single plant and the underlying idea of its flora.
An imperative is expressed to the viewer in this work. The properties of this piece may be regarded as a code of behaviour for its visitors.
Text: Christian Kurz
Christian Kurz assisted in the development of this work.